The Wolf Man Cometh. A Retrospective by Daniel magisterial The Universal colossus films of the late 1930s and early 1940s, were sort of a strange phenomenon. Although popular with audiences upon their sign release, they did non reach the flush of their commercialized appeal until the 1950s, when they reappeared on late night television, and spawned a tot completelyy new generation of fandom. Children of the 1950s and 60s, went monster wild, and on with screenings of Frankenstein, The Wolf Man and Dracula on TV, came publications much(prenominal) as Famous Monsters of Filmland and Eerie non to mention countless others. It was wreak to the immense revisiting of these films, that we can attribute the popular interpretation of the resolving power of these works. To many, the names Karloff, Lugosi and Chaney are synonymous with classic horror, but in the years prior to the arrival of television, which many classify as the golden age of Hollywood, the genre of Monster Horror was non yet refined, and it is fascinating to study the effects these films had on bon ton upon their original release. Using the 1941 classic The Wolf Man as an example, I will examine the varying factors which led to the films sign success, and how they have attributed to the mythology of Universal Horror as it is interpreted today. It is not uncommon to associate the name Lon Chaney jr. with the horror films of the 1940s. During his come down with Universal in the 1940s, Mr. Chaney was the only actor to portray each of Universals core assembly of monsters, including The Wolf Man, Dracula, Frankenstein and The florists chrysanthemum, becoming a legend in the process. Yet, prior to 1941, Mr. Chaney was except a struggling actor living in the overlook of his late fathers legacy. According to the official website of... If you want to get a full essay, order it on our website: OrderEssay.ne t
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